Leed

Se souvenir de moi

Raccourcis clavier

  • m marque l’élément sélectionné comme lu / non lu
  • l marque l’élément précédent comme non lu
  • s marque l’élément sélectionné comme favori / non favori
  • n élément suivant (sans l’ouvrir)
  • v ouvre l’URL de l’élément sélectionné
  • p élément précédent (sans l’ouvrir)
  • espace élément suivant (et l’ouvrir)
  • k élément précédent (et l’ouvrir)
  • o ou enter ouvrir l’élément sélectionné
  • j change le mode d'affichage de l'article (titre, réduit, complet)
  • h afficher/masquer le panneau d’aide

Ambiances - Fil des documents

Revue sur la recherche en architecture et urbanisme selon des approches basées sur le sensorium humai Voir les Non lu | Plus vieux en premier
ˆ

Envoi des ouvrages pour recension

Ambiances - Fil des documents le 09/11/2020 à 01:00:00 - Favoriser ||  (Lu/Non lu)

La revue réceptionne pour comptes-rendus de lecture les publications adressées à :

Secrétariat de la revue
Ambiances – Environnement sensible, architecture et espace urbain
Ecole Nationale Supérieure d'Architecture de Grenoble
60, avenue de Constantine
C.S. 12636
F-38036 Grenoble Cedex 2
France

ˆ

Sending books and publications for reviewing

Ambiances - Fil des documents le 09/11/2020 à 01:00:00 - Favoriser ||  (Lu/Non lu)

Publications for reviewing in the Journal should be sent to:

Secrétariat de la revue
Ambiances – Environnement sensible, architecture et espace urbain
Ecole Nationale Supérieure d'Architecture de Grenoble
60, avenue de Constantine
C.S. 12636
F-38036 Grenoble Cedex 2
France

ˆ

Jean-François Augoyard, an explorer of the sensory world

Ambiances - Fil des documents par Jean-Paul Thibaud le 13/10/2020 à 02:00:00 - Favoriser ||  (Lu/Non lu)

Jean-François Augoyard is senior researcher at CNRS (France). After studying philosophy (research on Giordano Bruno), aesthetics and musicology (Conservatoire National of Lyon and Gregorian Institute), he started teaching in the French national education system. He then carried out his doctorate in urban studies and practiced urban planning in Paris. In 1975, he started a new path as a researcher in urban sociology and environmental anthropology, while he continued teaching in several universities (Vincennes, Paris VI, Grenoble 2), and at the Graduate School of Architecture of Grenoble since 1976. In collaboration with Jean-Jacques Delétré, he created the Centre de recherche sur l’espace sonore (CRESSON — https://aau.archi.fr/cresson) in 1979. Along with Jean-Pierre Peneau, he also created the Ambiances architecturales et urbaines Joint Research Unit (UMR — CNRS/Ministry of Culture) in 1998. He is co-director of a French doctoral programme on architectural and urban ambiances. Moreo...

ˆ

For an aesthetics of ambiance

Ambiances - Fil des documents par Jean-François Augoyard le 13/10/2020 à 02:00:00 - Favoriser ||  (Lu/Non lu)

Why an aesthetics of ambiances? The answer to this question if far from being solely theoretical. It is associated with my personal career in research and academic teaching since the 1980s.
On the one hand, observing everyday ethos, through walks, landscape sensitivity, sound practices, the reception of architecture and street arts have revealed the ambiance as an essential way to question the substance of what is unseen, the nature of the background to the lived environment.
On the other hand, throughout my classes and aesthetics seminars in urban planning and architecture, “art’s place” in professions dominated by function forced me to rethink aesthetics as freed from its artistic imperative and digging into its more universal sensitive and atmospheric foundations.
This paper reviews an aesthetics of ambiances that is currently being built, working on four levels. At the aesthetic level: what is the imperceptible? What role do non-visible forms play? At the epistemic level: how do we...

ˆ

The Phenomenology of a Railway Expedition in China: The Gate, the Station, the Journey and the Arrival

Ambiances - Fil des documents par Junjie Xi le 18/05/2020 à 02:00:00 - Favoriser ||  (Lu/Non lu)

Hosting more than two-thirds of the global high-speed train network, and growing at an unprecedented rate, China has become an interesting location for studying this infrastructure. In this paper, the authors begin by introducing some particularities related to the high-speed travel experience, in order to provide a general understanding of how it affects people’s perceptions of time and space. This is followed by an explanation of some peculiarities that have defined the Chinese case as unique. Grounded on theories that assert the interlaced connection between modernity and phenomenology, in this paper the authors explore the connection between the conditions that defined modernity in China and the phenomenology of travel using high-speed trains. The problematic initial approach to Chinese modernity – through the Great Leap Forward and the Cultural Revolution – impacted later decisions regarding the new infrastructure, rendering high-speed train journeys in China unique. After the ...

ˆ

Staging Atmospheres – Theatre and the Atmospheric Turn

Ambiances - Fil des documents le 04/02/2020 à 01:00:00 - Favoriser ||  (Lu/Non lu)

This special issue of Ambiances seeks to address issues raised by the emerging theatrical paradigm within international scholarship on atmosphere and ambiance. On the one hand, the issue seeks to investigate why the theatre seems to present itself as such an acute example of what Thibaud (2015) has termed the ‘affective tonality’ of aesthetic experience for scholarship that is not necessarily concerned with the phenomenology of performance per se. On the other hand, the editors hope to address what, in turn, the practice and study of theatre has to learn from the atmospheric turn across a range of other disciplines in which the features of theatre and the theatrical as aesthetic, spatial and/or social generators of atmospheres have been regularly deployed by scholars in architecture, geography and philosophy (Böhme 2017, McCormack 2014, Bille et al 2015). What is noteworthy across many, if not all, of these enquiries is the rejuvenation of the aesthetic as an intellectual and ethica...

ˆ

Atmosphères en scène : le théâtre à l’ère du tournant atmosphérique

Ambiances - Fil des documents le 04/02/2020 à 01:00:00 - Favoriser ||  (Lu/Non lu)

Ce numéro spécial de la revue Ambiances a pour but d’aborder des questions liées à la question de la production et la représentation des atmosphères et des ambiances au théâtre et qui émergent actuellement au sein de la communauté scientifique internationale. D’une part, ce numéro cherche à étudier les raisons selon lesquelles le théâtre semble se présenter comme un exemple flagrant de ce que Thibaud (2015) a nommé la « tonalité affective » de l’expérience esthétique telle qu’éprouvée par une communauté qui ne serait pas autrement concernée par la phénoménologie de la performance en tant que telle. D’autre part, les éditeur.trice.s souhaitent également aborder ce que la pratique et l’étude du théâtre ont, quant à elles, à apprendre du tournant atmosphérique à partir d’un large éventail d’autres disciplines dans lesquelles les éléments du théâtre et le paradigme théâtral ont été régulièrement mobilisés en tant que générateurs esthétiques, spatiaux et/ou sociaux d’atmosphères par des ...

ˆ

Phenomenographies: describing the plurality of atmospheric worlds

Ambiances - Fil des documents par Federico De Matteis le 20/12/2019 à 01:00:00 - Favoriser ||  (Lu/Non lu)

In recent years, the theory of atmospheres has extended beyond phenomenology and aesthetics, informing a wide variety of descriptive practices in the humanities. Diverse scholarly fields such as anthropology and architecture, musicology and art criticism now include the notion of atmospheric space in their methodological toolkits. The descriptive practices of lived space, however, entail several theoretical questions, concerning the potential and limits of giving voice to first-person experience. In the introductory essay of the 2019 special issue of Ambiances, we address the methodological perspectives emerging from the articles and discuss several question concerning the theory of atmospheres and the practices aimed at describing them.

ˆ

Atmospheres in Urban Light

Ambiances - Fil des documents par Shanti Sumartojo le 20/12/2019 à 01:00:00 - Favoriser ||  (Lu/Non lu)

Inescapably spatial and located in experience, understanding atmospheres and their impact means close empirical attention to how they arise and are constituted, how they impress upon us, how they circulate and are shared, and what configures to make them feel differently for diverse people. In this article, we advance a dialogic autoethnographic methodology for attuning to, exploring and understanding atmospheres that accounts for them as they arise in the ongoing flow of experience of light. In this ethnographic approach, we research in atmospheres – that is, in the ongoing flow and change of shifting impressions and feelings constituted spatially by a multiplicity of elements. Taking a ‘light walk’ through inner city Melbourne as our example, we interrogate our experience of atmospheres in light, and also address how they might be purposefully constituted or designed.

ˆ

Depicting Berlin’s Atmospheres: Phenomenographic Sketches

Ambiances - Fil des documents par Maxime Le Calvé le 20/12/2019 à 01:00:00 - Favoriser ||  (Lu/Non lu)

This article proposes an ethno-phenomenographic record combining writing and drawing. It examines a few contemporary atmospheres of the city of Berlin. We describe a selection of specific situations from the angle of sensorial experience and contextualize them with sociological, geographical and historical elements. Tackling some atmospheres characteristic of a city at a certain period of its history is not the same as trying to grasp the ways of living in it; therefore, our approach is neither sociological nor geographical per se. Elaborating on four specific cases and reflecting from our own perspectives, we will examine the hypothesis of a fragmentation of Berlin’s atmospheres, exploring the ambivalent meanings of such assessment. The method is ethnographic: we base our descriptions on direct observation and we confront our respective experiences in places physically circumscribed by architecture and urban forms, interspersed with multiple presences and interactions during the ob...